EARLY IN THE MORNING (2010) violin, guitar, trombone quartet, piano, electronics (8')
premiere, BRIM, Roulette, NYC, 19 October 2010

WAITING FOR BILLY FLOYD (2010) flute, clarinet, violin, cello, piano, percussion, electronics(12')
premiere, Sarasota Orchestra, Sarasota, FL, March 2011

I'M WORRIED NOW, BUT I WON'T BE WORRIED LONG (2010) violin and electronics (6')
premiere, Mary Rowell, Tribeca New Music Festival, NYC, 8 June 2010
A Book of Days: September 6

KAIMOS (2010) voice, electronics, optional violin (4')
premiere, Eve Beglarian, Stanford University Lively Arts, CA, 12 March 2010
A Book of Days: February 28

I AM REALLY A VERY SIMPLE PERSON (2010) mixed chorus (5')
premiere, Eve Beglarian, Stanford University Lively Arts, CA, 12 March 2010
A Book of Days: January 6

NIGHT PSALM (2009) solo piano (8')
premiere, Sarah Cahill, 21 June 2009, Oakland, CA
A Book of Days: March 10

FROM WITHIN AND OUTSIDE A BRIGHT ROOM (2008) voices, percussion, electronics (60')
commissioned by the Schenectady Dangerous Music Series
premiere: January 2009, Schenectady Proctor Music Hall, Dixon Place
THE FLOOD: A Book of Days: October 22
BROWNIE FEET

MACHAUT IN THE MACHINE AGE VI: LIEMENT ME DEPORT (2008) chorus and harmonicas (3’)
commissioned by the Young Peoples' Chorus of New York City, Francisco Nuñez, conductor
premiere: WNYC Greenespace, 2 June 2009; to be published by Boosey & Hawkes
A Book of Days: September 17

THE MAN IN THE BLACK SUIT (opera-in-progress) singers, chorus, strings, gtrs, electronics (90')
libretto by Eve Beglarian and Grethe Barrett Holby, based on a story by Stephen King
radio play version presented by Arts at St. Ann’s, Brooklyn, 30 October 1999
development workshops in 2000, 2002, 2005, and 2006
workshops at the Atlantic Center for the Arts and PS 122, January-February 2008
FeedForward (2007) trombone quartet and electronics (65')
commissioned by Meet the Composer Commissioning USA; choreographer: David Neumann
premiere: Dance Theater Workshop, 23 October – 3 November 2007
midwest tour: Winter 2008
IN AND OUT OF THE GAME: A Book of Days: October 17


SANG (2007) mixed chorus, santur, percussion (28’)
text: Ferdowsi: Shahnameh, and three quotations from Hebrew scriptures
commissioned by The Los Angeles Master Chorale
premiere: 3 & 7 June 2007, LA Master Chorale with M. Sadeghi and Pejman Hadadi, Disney Hall, Los Angeles

OSCULATI FOURNITURE (2007) voice (or other instrument) and pre-recorded setars (4’)
premiere: 4 March 2008, Western Illinois University, Macomb, IL
premiere with visuals by Kevork Mourad: 4 June 2008, Maya Trio, Judson Church, NYC
A Book of Days: January 24

IT HAPPENS LIKE THIS (2006) spoken voice and cello (4’)
text: James Tate; A Book of Days: July 6
commissioned by Works & Process, Group for Contemporary Music
premiere: Guggenheim Museum, New York, 5-6 Nov 06; Greg Hesselink & T Ryder Smith

I WILL NOT BE SAD IN THIS WORLD (2006) flute and electronics (7’)
A Book of Days: June 28
commissioned by Annaliese Soros and Ernest Levenstein for Marya Martin
premiere: Marya Martin, March 2007, Merkin Concert Hall, New York
published by Theodore Presser, 2009

music for Choephorai (2006) voices, bass flute, duduk (60’)
written for Lee Breuer’s production of the play by Aeschylus
premiere: Patras Festival, Greece, 17-21 May 2006

MAKING HEY (2006) spoken voice, bass, piano, percussion (7’)
text: dictionary lookup spam filter defeater
written in honor of JK Randall’s 75th birthday
score published in Open Space Magazine Fall 2006/Winter 2007
recording released Spring 2007 on Open Space Records
premiere: Eve Beglarian and Seth Josel, the Stone NYC, November 2006

ATQUE SEMPER (2006) flute, horn, guitar, bass, piano (5’)
commissioned by Dylan Allegretti for Santa Fe New Music
A Book of Days: January 7
premiere: May 2006, Santa Fe New Music

I AM WRITING TO YOU FROM A FAR-OFF COUNTRY (2005) cello, voice, electronics, video (39’)
commissioned by Meet the Composer; text by Henri Michaux; video by Shirin Neshat
premiere: Maya Beiser and Alexandra Montano, Zankel Hall, NYC, 9 March 2006
American tour 2006-2007: Kennedy Center, Emory University, Seattle, Chicago, Minneapolis, etc.
recording released April 2007 on Koch Records, Almost Human

MY HEART IS TREMBLING (2005) solo voice and electronics (1')
written for the Vox Novus 60x60 project; recording released 2007, 60x60
A Book of Days: July 30
premiere: 14 November 2006, Brooklyn College

UNTITLED INTERIOR (2005) solo voice and electronics (14')
commissioned by UC Santa Barbara Interdisciplinary Humanities Council
choreographed by Stephanie Nugent; text by Rabi'a
ARMON: A Book of Days: June 14
premiere: Center Stage Theater, Santa Barbara, 30 Sept-2 Oct 2005

MACHAUT IN THE AGE OF MOTOWN (2005) sop sax, cl, vln, bass, bells, vibes, pf, drums (5')
commissioned by Opus 21 Ensemble
premiere: Ann Arbor, MI 29 Apr 2005; also Knitting Factory, NYC, 3 May 2005


FlamingO (1995, revised 2004) for three ensembles [chamber orchestra] (16')
commissioned by the Crosstown Ensemble
premiere: Crosstown Ensemble, Tribeca Hall, New York, 8 Dec 1995
premiere of revised version: American Composers Orchestra, Zankel Hall, NY 21 Jan 2005
recording released May 2006 on New World Records 80630-2, Tell the Birds

THE STORY OF B (2001-2004) voices, flute, keyboards, bass, electronics (90’)
a song-cycle collaboration with composer Phil Kline
commissioned by Meet the Composer/NEA
texts by Pierre Louÿs; translated by Eve Beglarian and Phil Kline
premiere of first two songs: Thru the Walls, ASCAP, Cutting Room, NYC, 31 Jan 01
premiere of more songs: Ought-One Festival, Montpelier, VT, 26 Aug 01
premiere of work: Flynn Center, Burlington, VT 14-15 February 03
premiere with additional songs: DiverseWorks, Houston, TX 13-14 February 04
premiere of revised version: Joe's Pub, NYC 30 March 2005

TAKE YOUR JOY (2004) mixed chorus and electronics (5')
commissioned by the Amherst Concert Choir, Mallorie Chernin, conductor
premiere: Amherst College, February 2005
A Book of Days: April 6

music for AUTODELETE (2004) voices, electric guitar, sampler, electronics
written for the play by Honour Kane
2003 winner of Frederick Loewe Award in Music Theatre
first workshop with music: New Dramatists, NYC, 5 April 04
second workshop with music: Bay Area Playwrights Festival, SF, July-August 2004

WE TWO (2004) voices, guitar, drums
text by Walt Whitman
premiere: Eve Beglarian and Corey Dargel, Opia Lounge, 20 June 2005
A Book of Days: April 30


DUST (2003) voice and electronics (20’)
commissioned by Axis Dance Company with choreographer Victoria Marks
premiere: Yerba Buena Center for Performing Arts, San Francisco, November 2003
solo Book of Days version (October 5) premiered 3 December 2003, Church of the Ascension, NY

music for MABOU MINES' DOLLHOUSE (2002-2003) voices, piano, electronics (90’)
written for an adaptation of the play by Lee Breuer
first workshop: New York Theater Workshop, June 02
second workshop: Sundance Theater Lab, July 2003
premiere run: St. Ann's Warehouse, November-December 2003
touring performances in Norway (2004), Spoleto USA, Stuttgart, Paris, Wexner, Walker, etc. (2005)
touring performances in New England, Hong Kong, Japan, Barcelona, Los Angeles, etc. (2006)
touring performances in Israel, Rome, Edinburgh, Singapore, Spain etc. (2007)
touring performances in Greece, Italy, Korea, Columbia etc (2007-08)
filmed for Arte TV (France): released 2008

ROBIN REDBREAST (2003) voice, piccolo, electronics (5’)
text: Stanley Kunitz
commissioned by Guggenheim Works & Process
premiere: Guggenheim Museum, New York, 20-21 October 03
recording released May 2006 on New World Records 80630-2, Tell the Birds
A Book of Days: March 27

BE/HOLD (2003) electronics (5’)
remix of a recitative from Handel’s Messiah
commissioned by Canteloupe Records for 2004 release, Messiah Remix
A Book of Days: March 25

ALL U GOT 2 DO (2003) B3 organ and electronics with optional violin (5’)
premiere: Tom Chiu & Eve Beglarian, Church of the Ascension, New York, 25 June 03
A Book of Days: August 3


LULLABY (2002) for female voice(s), piano, and optional vibes (4’)
text: Janet Lewis
premiere: Greenwich House, New York, 12 Dec 02
A Book of Days: December 25

THE BUS DRIVER DIDN'T CHANGE HIS MIND (2002) cl/bscl, gtr, vc, cb, perc, pf, playback (10’)
commissioned by the BOAC People’s Commissioning Fund
premiere: Bang on a Can All-Stars, 2 May 02, Miller Theater, New York
A Book of Days: August 22


music for ECCO PORCO (2001) voices, sampled pipa (12’)
written for the play by Lee Breuer
How Do Dykes Do It recorded by Lauren Flanigan and Eve Beglarian
premiere: Mabou Mines, PS 122, New York, 3-27 Jan 02

FIVE THINGS (2001) spoken voice, flute, bassoon or baritone sax (5’)
text: Song Dynasty letter to Master Xiang
premiere: Sally Collective, Cutting Room, New York, 30 Oct 01
A Book of Days: November 14

FIRESIDE (2001) piano and spoken voice (5’)
commissioned by and written for Sarah Cahill; text by Ruth Crawford (age 13)
premiere: Ruth Crawford Seeger Centennial Celebration, Mills College, 12 Nov 01

UNTIL IT BLAZES (2001) processed acoustic piano or guitar (6’ to 20’)
written for Kathleen Supové; visuals by Cory Arcangel
premiere: Exploding Music, The Cutting Room, 10 May 01
Seth Josel's recording released 2008 on The Stroke That Kills
Emanuele Forni's recording released 2007 on Ceci n'est pas une guitare
A Book of Days: April 15

CAVE (2001) spoken voice, flute, clarinet, violin, cello, perc, pf, tape (6’30")
text by Eileen Myles; visuals by Clifton Taylor
commissioned by Synchronia
premiere: Synchronia, St. Louis, 28 Apr 01
A Book of Days: July 3

ALL WAYS (2001) voice and piano (3’30")
text by Stephen King
commissioned by Frederick and Alexandra Peters for the MTC/New York Festival of Song
premiere: NYFOS, New York, 22 Mar 01
A Book of Days: November 27

DO NOT BE CONCERNED (2001) spoken voice and MIDI keyboard
premiere: ASCAP Thru the Walls, Cutting Room, NYC, 31 Jan 01
A Book of Days: February 21

A BOOK OF DAYS (2001-present) voice, electronic keyboards and optional additional instruments
a series of 365 text/music/visual pieces for live performance and internet delivery
live premiere of first two days: ASCAP Thru the Walls, Cutting Room, NYC, 31 Jan 01
additional days are listed separately


THE CONTINUOUS LIFE (2000) for orchestra and pre-recorded sound (15’)
commissioned by the Continental Harmony project for DiverseWorks and Orchestra X
premiere: Orchestra X, Miller Outdoor Theater, Houston, TX, 30 Sep 2000

HISTORY LESSONS (2000) music for the film by Barbara Hammer (20')
premiere: Frameline International Film Festival, San Francisco, 21 Jun 2000

ANIMAL MAGNETISM (1997-2000) for voices, violin, reeds, and electronics (90')
written for the play by Terry O'Reilly; directed by Lee Breuer
commissioned with funds from Cary Trust
workshop premiere: Mabou Mines, Toronada Space at PS 122, 4-6 Dec 1997
workshop performance: Sundance Theater Institute, 22 Jul 1999
premiere: 7 Apr 2000, Art at St. Ann’s, Brooklyn
touring performances in Poland and the Czech Republic

JUST A LITTLE MORE (2000) for voice, two keyboards, and tape (5')
premiere: Double Edge and Eve Beglarian, New Museum, NYC, 26 Mar 2000
version for for voice, flute, oboe, bassoon, violin, viola, cello, bass, vibes, piano, and tape:
premiere: Orchestra X at DiverseWorks, Houston, TX, 20 May 2000

FORGIVENESS (1998-2000) for voices, pipa, piri, percussion, and electronics (90')
a collaboration with Chen Shi-Zheng and Akira Matsui
commissioned with funds from Meet the Composer, the Rockefeller Foundation, Arts Int’l
workshop premiere: Asia Society, Aug 1998 and Feb 1999
workshop performance: Flynn Theater, Burlington, VT, Aug 1999
premiere: 9 Mar 2000, Walker Arts Center, Minneapolis
American tour to six venues, spring 2000


NOT WORTH (1999) for voice, 2 bass clarinets, viola, cello, bass (3')
commissioned by the Sequitur Ensemble
text by Confucius, translated by Eve Beglarian
premiere: Sequitur, Joe’s Pub, NYC, 3-5 Feb 2000
recording released 2007 on Koch Records, To Have and To Hold
A Book of Days: February 3

WRITTEN ON THE BODY (1999) for voice, keyboards, and electronics (12')
text by Jeannette Winterson
recording released 2000 on OO Discs, Play Nice


OPEN SECRETS (1998) for architectural space, homemade instruments, and toy piano (45’)
a collaboration with architect Malcolm Holzman and director Grethe Barrett Holby
commissioned by Christopher Jaffe for Rensselaer Polytechnic Institute
premiere: RPI, Troy, NY, 18 Nov 1998

AN ELK REVOLT (1998) for electronic tape (7’)
a remix of Jerry Hunt’s Volta Kernel for CRI
premiere: DiverseWorks, Houston, TX, May 2000

HILDEGURLS, or THE ORDER OF THE VIRTUES (1996; rev. 1998) for four singers and electronics (75')
a collaboration with Lisa Bielawa, Kitty Brazelton, and Elaine Kaplinsky
directed by Grethe Barrett Holby
premiere: Lincoln Center Festival, New York, 22-26 Jul 1998
recording released on Innova, May 2009

NON-JEW (1998) for two spoken voices (20')
texts: Ezra Pound; deportation lists
premiere: JK Randall & Eve Beglarian; Ersatz Marathon, Context, NYC, 31 May 1998

ELF AGAIN (1998) for indeterminate ensemble (5')
premiere: Dadadah, CBGB, NYC, 16 Mar 1998

FATHER/DAUGHTER DANCE (1998) for accordion and electronics (12')
commissioned by choreographer Victoria Marks
premiere: the Dance Place, Washington DC, 20 Mar 1998


BOY TOY/TOY BOY (1997) for two keyboards and electronics (5'30")
written for twisted tutu (Eve Beglarian + Kathleen Supové, keyboards)
premiere: twisted tutu, HERE, NYC, 22-24 Jan 1998
recording released Jan 2000 on OO Discs, Play Nice

PLAY NICE (1997) for solo harp, vibraphone, or toy piano (5')
written for Elizabeth Panzer
premiere: Elizabeth Panzer, Composers Collaborative, Bloomingdale House, 20 Apr 1997
Elizabeth Panzer recording released on OO Discs, summer 1999
twisted tutu recording released Jan 2000 on OO Discs, Play Nice

CREATING THE WORLD (1996) for vln, bsn, guitar, electronic kbd, perc, and drums (12')
commissioned by the Paul Dresher Ensemble with funds from Meet the Composer
text: Czeslaw Milosz
premiere: Paul Dresher Ensemble, Helena, Montana, Mar 1997
recording released May 2006 on New World Records 80630-2, Tell the Birds

MY FEELINGS NOW (1996) for voice and piano (4’)
written for twisted tutu; text: Hartati
premiere: twisted tutu, American Opera Projects, NYC, Sep 1996
recording released Jan 2000 on OO Discs, Play Nice

WONDER COUNSELOR (1996) for pipe organ and electronics (10')
commissioned by the American Guild of Organists
premiere: Kyler Brown, AGO 100th Anniversary Convention, NYC, Jul 1996
recording released May 2006 on New World Records 80630-2, Tell the Birds

music for THE BACCHAE (1996) for male chorus and Chinese instrumental ensemble (50')
commissioned by The New York Greek Drama Company
premiere: Chinese National Beijing-Opera Theater, Beijing, 14 Mar 1996
additional performances in Greece, Hong Kong, etc.

LANDSCAPING FOR PRIVACY (1995) spoken voice & keyboards (7')
written for twisted tutu (Kathleen Supové, keyboards + Eve Beglarian, vocals)
text: Linda Norton
premiere: twisted tutu, American Opera Projects, New York, 8 Oct 1995
recording released on CRI 770, Emergency Music
recording re-released May 2006 on New World Records 80630-2, Tell the Birds

WOLF CHASER (1995) violin, amplified bowed cymbals, and tape (15')
premiere: twisted tutu with Robin Lorentz, violin, HERE, New York, 10 Aug 1995
recording released on CRI 780, Lesbian American Composers
premiere with video by Vittoria Chierici: 24 Oct 2008, Times Center, with Ana Milosavljevic, violin

MACHAUT IN THE MACHINE AGE IV: AY MI! (1995) processed electric chord organ (7')
written for twisted tutu (Kathleen Supové & Eve Beglarian )
premiere: twisted tutu, Roulette, New York, 22 Jun 1995

HOW I LIKE THAT TIME (1995) violin, two mbiras, and electronic tape (5')
written for Robin Lorentz, violin; text: Cheryl Boyce Taylor
premiere: twisted tutu, The Kitchen, New York, 30 Mar 1995

NO MAN'S LAND (1995) voice, amplified hand drum, two electronic keyboards (10')
written for twisted tutu (Kathleen Supové, keyboards, & Eve Beglarian, vocals & keyboards)
text: Janet Malcolm
premiere: twisted tutu, HERE, New York, 18 Jan 1995
recording released on OO Discs 33, Overstepping


NO. YOU ARE NOT ALONE (1994) voices, keyboard, guitar, bass, drums, electronics (15')
commissioned by Dance Theater Workshop; created with Ben Rubin & Mary Rodríguez
NoiseFloor choreography by Cydney Wilkes
premiere: Dance Theater Workshop, New York, 23 May 1994
Touchtone Tony released on Atavistic Records, State of the Union
longer version of Touchtone Tony released Jan 2000 on OO Discs, Play Nice

typOpera (1994) voices and electronics (65')
commissioned by Music in Motion; created with Arthur Jarvinen & Jim Rohrig
premiere: California EAR Unit and Eve Beglarian, Gammage Auditorium, Phoenix, 30 Apr 1994
GOOD DEAL EASIER is January 1 in A Book of Days

THE MARRIAGE OF HEAVEN & HELL (1994) voice, flute, sax, oboe, bsn, viola, cb, pf, perc (14')
commissioned by Relâche
premiere: Relâche, Philadephia Arts Bank, 25 & 26 Mar 1994
recording released May 2006 on New World Records 80630-2, Tell the Birds


ENOUGH (1993) soprano, piano & bass (5')
written for Bermuda Triangle (Dora Ohrenstein, soprano; Kathy Supové, piano; Robert Black, bass)
premiere: Bermuda Triangle, Bang on a Can Festival, The Kitchen, NYC, 25 May 1993

DISAPPEARANCE ACT (1993) sampled percussion & electronics (19')
commissioned by Hilary Easton & Company; choreographed by Hilary Easton
premiere: Dance Theater Workshop, NYC, 6-9 May 1993
recording released on OO Discs 33, Overstepping

MACHAUT IN THE MACHINE AGE II (1993) bass and MIDI percussion (5')
written for Basso Bongo (Amy Knoles, percussion & Robert Black, bass)
premiere: Basso Bongo, Monday Evening Concerts, Los Angeles County Museum, 22 Mar 1993

LUPIE MONTANA'S SHOOTING SCRIPT (1993) a radio-film (20')
a collaboration with writer Denise Lanctot
premiere: CBGB's 313 Gallery, NYC, 28 Feb 1993


DIVE MARKER (1992) sampled percussion & electronics (15')
commissioned by Dance Theater Workshop
choreographed by Cydney Wilkes
premiere: Dance Theater Workshop, NYC, 8-11 Oct 1992

UNDER MY SKIN (1992) percussion & sampled sounds (5')
commissioned by Colloquium Contemporary Dance Company
choreographed by Sari Eckler
premiere: Merce Cunningham Studio, 13-15 Mar 1992*

PRECIOSILLA (Margaret's Mix 1992) flute and tape (10')
premiere: Margaret Lancaster, Greennwich House, NYC, 13 Feb 1992
recording released on OO Discs 33, Overstepping


ELOISE EXTENSIONS (1991) electronic cello & sampled cello sounds (7')
commissioned by Robert La Fosse for the New York City Ballet
premiere: New York City Ballet, NY State Theater, 27 May 1992

MACHAUT A GO GO (1991) voice, alto sax, horn, trmb, el. guitar, vc, el.bass, harp & drums (8')
commissioned by Dadadah
premiere: Dadadah, La Mama, NYC, 8 Dec 1991
recording released on Rise Up, Accurate/Distortion

OVERSTEPPING (1991) sampled voices and electronics (16')
commissioned by the Washington Ballet; choreographed by Monica Lévy
premiere: Washington Ballet, Kennedy Center, 15 May 1991
recording released on OO Discs 33, Overstepping
A Book of Days: January 16
A Book of Days: May 15
A Book of Days: August 14


ELOISE (1990) electronic cello & sampled cello sounds (18')
commissioned by Cynthia Smith
premiere: Doma Gallery Soho, 17-18 Nov 1990, Jeffrey Krieger, cello
recording released 1992 by EVBVD Music
A Book of Days: May 2

MACHAUT IN THE MACHINE AGE I (revised 1990) fl, cl, vln, vc, pf, perc (6')
commissioned by the Tisch School of the Arts
premiere: California EAR Unit, Los Angeles County Art Museum, 6 Nov 1991


GIZMO (1989) sampled voice and electronics (13')
commissioned by Cydney Wilkes to accompany her solo dance work
premiere: Mulberry Street Theater, 7-10 Dec 1989

BORN DANCIN' (1989) electric cello, drum machine & actor (16')
commissioned by Jeffrey Krieger
premiere: Jeffrey Krieger, Real Art Ways, Hartford, 17 Nov 1989
recording released 1992 by EVBVD Music


MIRANDA'S KISS (1988) piano solo (13')
written for Anthony de Mare
premiere: Anthony de Mare, Young Concert Artists Recital, Kennedy Center, 6 May 1990

YOUR FACE HERE (1988) alto sax, piano, voices, & tape (12')
commissioned by the American Dance Festival;
choreographed by Ann Carlson
premiere: Durham, North Carolina, 14 -15 Jul 1988


MAKING SENSE OF IT (1987) fl, cl, vln, vc, pf, perc, & tape (15')
commissioned by the New York New Music Ensemble
premiere: New York New Music Ensemble, NYC, 7 Mar 1988

MAIDEN SONGS: SAPPHO & ALKMAN (1987) voices, barbitos, & cl (60')
commissioned by the New York Greek Drama Company
premiere: St. Mark's Danspace, 14-17 May 1987
videotape published in Sep 1988 by the New York Greek Drama Company
Honorable Mention, National Educational Film & Video Festival


THE GARDEN OF CYRUS (1984-1986) electronic music (20')
premiere: Composers' Concordance, Middle Collegiate Church, 2 Mar 1987
recording released on OO Discs 33, Overstepping
electric guitar quartet arrangement of Garden V premiered by Dither, 12 June 2010
Garden V is A Book of Days: July 22nd

ESCAPE TO THE STARS (1986) electronic music (60')
commissioned & released by Warner Audio Publishing

MACHAUT IN THE MACHINE AGE I (1986) pf & perc (5')
premiere: Alan Feinberg & Daniel Druckman, Weill Recital Hall, 13 May 1987

GETTING TO KNOW THE WEATHER (1986) solo baritone sax (9')
premiere: Marshall Taylor, Fairleigh Dickinson University, 4 May 1986
publisher: Dorn Publications, 1986


MEDEA (1985) seven choral odes (20')
commissioned by the New York Greek Drama Company
premiere: Triplex II Theater, NYC, 17-20 Oct 1985
videotape published in 1986 by the New York Greek Drama Company

SPHERICAL MUSIC (1985) twelve marimbas (7')
premiere: Daniel Druckman & 11 recorded marimbas, NJ Guild, 3 Mar 1985
recording released by Jane Boxall, Spherical Music
a faster electronic version is A Book of Days: March 3


A BIG ENOUGH UMBRELLA (1984) viola & tape (12')
premiere: Lois Martin, Composer's Concordance, NYC, 7 Nov 1985
First Prize, 1985 Atlanta Contemporary Chamber Ensemble Competition

MICHAEL'S SPOON (1984) two horns & tape (7')
premiere: Ruby Orval Duo, St. Michael's Church, 7 Apr 1989


FRESH AIR (1983) sax quartet & tape (6')
premiere: Yellow Springs Institute, Relâche, 18 Jun 1984
official U. S. submission to ISCM World Music Days, Hungary 1986
publisher: Dorn Publications, 1984

CLARINET QUARTET (1983) four Bb clarinets (10')
premiere: Washington Square Contemporary Music Series, NYU, 4 Feb 1985

PSALM 133 (1983) SATB chorus (3')
premiere: Washington Square Chorus, NYU, 17 Dec 1983


FIVE FOR CLARINET (1982) solo Bb clarinet (6')
premiere: William Blount, New York University, 23 Jun 1983

MUSIC FOR ORCHESTRA (1981-82) (15')
fulfilled the requirements for an M.A. in music composition from Columbia University

THREE LOVE SONGS (1981-82) mezzo-soprano, cl, vla, pf (6')
premiere: Interlude Concert Loft, North-South Consonance, 24 Oct 1982


QUARTETTSATZ (1981) string quartet (8')
premiere: Westfield String Quartet, Trenton State Art Museum, 26 Jan 1986


MAKING HAY (1980) two pianos (6')
premiere: JK Randall & Frank Brickle, Princeton University, 3 Mar 1980

UNCLE WIGGLY (1980) viola & tape (4')
premiere: International Computer Music Conference, 6 Nov 1981